In my research today I came upon this interesting article, “Here comes everything: the promise of object-oriented ontology” by Timothy Morton. (New link, old one broken.) It is of interest not only to speculative realism but also to some recent discussions on Caputo's ontology, modes of apprehension of such, and quantum theory. The article is 27 pages of text so I've culled some excerpts, lengthy in themselves.




Speculative realism...asserts the deep mystery of a Non-Nature....object-oriented ontology (OOO)...goes further than this, rejecting essentialist Matter.... OOO is a form of realism that asserts that real things exist--these things are objects, not just amorphous “Matter”.... OOO extends Husserl's and Heidegger's arguments that things have an irreducible dark side: no matter how many times we turn over a coin, we never see the other side as the other side--it will have to flip onto “this” side for us to see it, immediately producing another underside. Harman simply extends this irreducible darkness from subject–object relationships to object–object relationships.... Causation is thus vicarious in some sense, never direct. An object is profoundly “withdrawn”--we can never see the whole of it, and nothing else can either.... We've become so used to hearing “object” in relation to “subject” that it takes some time to acclimatize to a view in which there are only objects, one of which is ourselves.


The notion of the “withdrawal” of objects extends my term strange stranger to non-living entities. Strange stranger names an uncanny, radically unpredictable quality of life forms. Life forms recede into strangeness the more we think about them, and whenever they encounter one another--the strangeness is irreducible....the uncanny essence of humans that Heidegger contemplates extends to nonhumans.... The more we know about a strange stranger, the more she (he, it) withdraws. Objects withdraw such that other objects never adequately capture but only (inadequately) “translate” them....This is what “irreducible” means.


Rhetoric is not simply ear candy for humans: indeed, a thorough reading of Plato, Aristotle and Longinus suggests that rhetoric is a technique for contacting the strange stranger....[it] amplifies imagination rather than trying to upstage it, and it revels in dislocation, not location.... Harman's imagery differs from ecophenomenological ecomimesis that confirms the localized position of a subject with privileged access to phenomena.... Harman's rhetoric produces an object-oriented sublime that breaks decisively with the Kantian taboo on noncorrelationist scientific speculation....ekphrasis is not about the reaction of the (human) subject, but about rhetorical modes as affective-contemplative techniques for summoning the alien.


The aesthetic, as we shall see, is the secret door through which OOO discovers a theory of what is called “subject”.... Melancholia is precisely a mode of intimacy with strange objects that can't be digested by the subject.... To lapse into Californian, OOO is so about the subject. There is no good reason to be squeamish about this. The more the ekphrasis zaps us, the more we fall back into the gravity well of melancholy. Sentience is out of phase with objects, at least if you have a nervous system. So melancholia is the default mode of subjectivity: an object-like coexistence with other objects and the otherness of objects--touching them, touching the untouchable, dwelling on the dark side one can never know, living in endless twilight shadows. If the reader has experienced grief she or he will recognize this state as an object-like entity that resides somewhere within the body, with an amortization schedule totally separated from other temporalities (in particular, the strict digital clock time of contemporary life). Through the heart of subjectivity rolls an object-like coexistence, none other than ecological coexistence--the ecological thought fully-fledged as dark ecology . The inward, withdrawn, operationally closed mood called melancholy is something we shake off at our peril in these dark ecological times.


Melancholy starts to tell us the truth about the withdrawn qualities of objects. OOO thus differs from theistic ecophilosophy that asserts, “There is a Nature.” It maintains no absolute distance between subject and object; it limits “subject” to no entity in particular. Žižek's suspicion of SR to do with the “feminine” self-absorption of objects: precisely what he doesn't like about Buddhism. Changing “self-absorption” to “withdrawal” or “operational closure” discloses what's threatening about Buddhism: an object-like entity at the core of what is called subjectivity. Like ecomimesis, Harman's passage affirms a real world beyond mentation. Unlike ecomimesis, this world doesn't surround a subject--it's a world without reference to a subject.


If OOO construes everything as objects, some may believe that it would have a hard time talking about subjects--indeed, Slavoj Žižek has already criticized SR in general along these lines. This subjectivity is profoundly ecological and it departs from normative Western ideas of the subject as transcendence. Thus we see off Nature and its correlate, the (human) subject. I argue that OOO enjoins us to drop Matter just as we must drop Nature, and that this means that it can save the appearance of the most coherent and testable physical theory we have, namely quantum theory.


Let's turn our attention to... far “down things” does OOO really go? Are these things made of some kind of substrate, some kind of unformed matter? Does “withdrawal” mean that objects are impenetrable in some non-figurative, nonhuman sense? Do objects have a spatial “inside”? Surely they might. But the principle of irreducibility must mean that this inside is radically unavailable. It's not simply a case of the right equipment passing through it, like a knife through butter. Even a knife through butter would not access the butter in all its essential butteriness. The proliferation of things that ecology talks about--from trees to nuclear power--do not compromise a holistic Nature. Nor yet are they comprised of some intrinsic, essential stuff. To dispatch Matter, we must explore the most rigorous and testable theory of physical Matter we know: quantum theory.


Unlike some thinkers who discovered OOO in spite of deconstruction, I backed into OOO through deconstruction. SR tends to mistake deconstruction for nominalism, subjectivism and Meillassoux's correlationism.... Contemporary physics concurs with a principle tenet of Lacan and Derrida: there's no “big Other,” no device, for instance, that could measure quantum phenomena without participating in these phenomena. All observations are inside the system, or as Derrida puts it, “There is nothing outside the text” (or, in Gayatri Spivak's alternative, which I prefer, “There is no outside-text”). Arkady Plotnitsky has traced the affinities between deconstruction and quantum physics. People commonly misconstrue “there is no-outside-text” as nominalism: we can only know things by their names. Far more drastically, the axiom means: (1) Any attempt to establish rigid boundaries between reality and information results in unsustainable paradoxes; (2) Language is radically nonhuman--even when humans use it. It would be a mistake to hold that (1) is correlationism. “There is no outsidetext” occurs in a passage in which Derrida is analyzing Rousseau's position on Nature, so it's worth pausing here since this issue is directly relevant to ecocriticism. Derrida tacks close to the text he’s analyzing, which is why he appeals to close readers in the first place. He is not making a sweeping generalization about reality. Derrida is only saying, “Given the kind of closed system textuality that Rousseau prescribes, there is no outside-text.” That is, Rousseau can’t go around making claims about nature, not because there is nothing out there, but because the way he models thinking sets textuality up as a black hole....[but] Derrida abstained from ontology: he considered it tainted by the generalization-disease. Unfortunately this defaults to various forms of antirealism. Derrida's is a sin of omission.... OOO shares one thing at least with deconstruction--refraining from assertions about some general essence or substance at the back of things that guarantees their existence.


OOO is troubling for materialisms that rely on any kind of substrate, whether it consists of discrete atoms or of a continuum.... Certain uncontroversial facts, demonstrable in highly repeatable experiments, shatter essentialist prejudices concerning Matter.... Quantum phenomena are not simply hard to access or only partially “translated” by minds and other objects. They are irreducibly withdrawn.


OOO is form of realism, not materialism. In this it shares affinities with quantum theory. Antirealism pits quantum theory against its opponents, since quantum theory supposedly shows reality is fuzzy or deeply correlated with perception and so forth. In fact, quantum theory is the only existing theory to establish firmly that things really do exist beyond our mind (or any mind). Quantum theory positively guarantees that real objects exist! Not only that--these objects exist beyond one another. Quantum theory does this by viewing phenomena as quanta, as discrete “units” as described in Unit Operations by OOO philosopher Ian Bogost. “Units” strongly resemble OOO “objects.” Thinking in terms of units counteracts problematic features of thinking in terms of systems. A kind of systems thinking posed significant problems for nineteenth-century physicists. Only consider the so-called black body radiation problem. Classical thermodynamics is essentially a systems approach that combines the energy of different waves to figure out the total energy of a system. The black box in question is a kind of oven. As the temperature in the oven increases, results given by summing the wave states according to classical theory become absurd, tending to infinity.


By seeing the energy in the black box as discrete quanta (“units”), the correct result is obtained. Max Planck's discovery of this approach gave birth to quantum theory. Now consider perception, for the sake of which antirealism usually cites quantum theory. What does quantum theory show about our mental interactions with things? Perceptual, sensual phenomena such as hardness and brilliance are at bottom quantum mechanical effects. I can't put my hand through this table because it is statistically beyond unlikely that the quanta at the tip of my finger could bust through the resistance wells in the quanta on the table's surface. That's what solidity is. It's an averagely correct experience of an aggregate of discrete quanta. This statistical quality, far from being a problem, is the first time humans have been able to formalize supposedly experiential phenomena such as solidity. What some people find disturbing about quantum theory (once in a gajillion times I can put my finger through the table) is precisely evidence for the reality of things. (This is a version of an argument in Meillassoux, AF 82–5).


Quantum theory specifies that quanta withdraw from one another, including the quanta with which we measure them. In other words quanta really are discrete, and one mark of this discreteness is the constant (mis)translation of one quantum by another. Thus when you set up quanta to measure the position of a quantum, its momentum withdraws, and vice versa. Heisenberg's uncertainty principle states that when an “observer”--not a subject per se, but a measuring device involving photons or electrons (or whatever)--makes an observation, at least one aspect of the observed is occluded (QT 99–115). Observation is as much part of the Universe of objects as the observable, not some ontologically different state (say of a subject). More generally, what Niels Bohr called complementarity ensures that no quantum has total access to any other quantum. Just as a focusing lens makes one object appear sharper while others appear blurrier, one quantum variable comes into sharp definition at the expense of others (QT 158–61). This isn't about how a human knows an object, but how a photon interacts with a photosensitive molecule. Some phenomena are irreducibly undecidable, both wavelike and particle-like. The way an electron encounters the nucleus of an atom involves a dark side. Objects withdraw from each other at a profound physical level. OOO is deeply congruent with the most profound, accurate and testable theory of physical reality available. Again, it would be better to say it the other way around: quantum theory works because it's object-oriented.


Probing the quantum world, then, is a form of auto-affection. Bohr argued that quantum phenomena don't simply concatenate themselves with their measuring devices. They're identical to it: the equipment and the phenomena form an indivisible whole (QT 139–40, 177). This “quantum coherence” applies close to absolute zero, where particles become the “same” thing.


Implication and explication suggest Matter being enfolded and unfolded from something deeper. Even if it were the case that OOO should defer to physics, in the terms set by physics itself objects aren't made “of” any one thing in particular. Just as there is no top level, there may be no bottom level that is not an (substantial, formed) object.


To this extent, “object” (as a totally positive entity) is a false immediacy. Positive assertions about objects fail because objects have a shadowy dark side, a mysterious interiority like the je ne sais quoi of Kantian beauty. Is this nothing at all? Is there a path from the carnival of things to a bleak nothingness? Nihilism, believing that you have no beliefs, maintains that things emerge from an impenetrable mystery. Nihilism, the cool kids' religion, shuns the inconveniences of intimacy. We have objects--they have us--under our skin. They are our skin. OOO can't be a form of nihilism. It's the opposite view (relationism) that tends towards nihilism. Relationism holds that objects are nothing more than the sum of their relations with other objects. This begs the question of what an object is, since the definition implies a potential infinite regress: what are the “other objects”? Why, nothing more than the sum of their relations with other objects--and so on ad obscurum. At least OOO takes a shot at saying what objects are: they withdraw. This doesn't mean that they don't relate at all. It simply means that how they appear has a shadowy, illusory, magical, “strangely strange” quality. It also means they can't be reduced to one another. OOO holds that strangeness is impossible if objects are reducible to their relations. Since relationism is hamstrung by its reluctance to posit anything, it tends towards obscurantism. Relationism is stuck in a Euthyphronic dilemma: objects consist of relations between other objects—and what are those objects? An object as such is never defined. So while ecological criticism appears to celebrate interconnectedness, it must in the end pay attention to what precisely is interconnected with what.


This radical finitude includes a strange irreducible openness.

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Also see DeLanda's chapter 23 in The Speculative Turn. For example:

"The mechanism-independence of singularities implies...that they can become divergently actualized in many different material mechanisms.... The view of the material world that emerges from these considerations is...rather an active matter endowed with its own tendencies and capacities, engaged in its own divergent, open-ended evolution, animated from within by immanent patterns of being and becoming" (392).

The following from Bryant's referenced article helps me to understand his notion of the object:

"Substances are negentropic unities whose identity consists in their operations through which they produce themselves across time. As such, they evolve, change, and mutate in all sorts of ways. The terms 'substance', 'process', and 'dynamic systems' are all synonyms within the framework of my onticology."

Hence the use of Luhmann, as well as D&G who were influenced by Prigogine.

From Bryant's article referring to the mug:

"The power of the mug to produce various colors both never manifests itself and is infinitely inexhaustible—even for God –such that any color the mug 'does' is an effect of the mug’s withdrawn powers. As a consequence, the withdrawn dimension of objects, the pure past, or virtual proper being of substances must be thought as potency or the potentiality to be actualized otherwise or differently under different conditions."

My mind, wyrd as it is, associates this with the old porn movie Debbie Does Dallas. My contemporary philosophical version is now Mug Does Blue. How promiscuous!

To counter the Bo(h)rg, resistance is not only not futile but a necessary condition of autonomy. From Bryant's article:

"The word we most commonly use for this withdrawal is 'resistance'. There is always something in the object that refuses or resists complete integration by the other object." *

He then goes into Derrida on interation of the sign (referenced above), a possible response to Balder's point on the mug as a relational sign.

* Also referenced somewhere above, see my discussion of how parts are not completely subsumed in any whole, and how nested hierarchies with their hegemonic and transcendent properties are unaware of ( or ignore or reduce via straw) this sort of critique.

Theurj:  My mind, wyrd as it is, associates this with the old porn movie Debbie Does Dallas. My contemporary philosophical version is now Mug Does Blue. How promiscuous!


:-)  When I was reading that section of the chapter last week at work, I remember thinking that saying, "the mug blues" or "is bluing" wasn't sufficient, given the conventional/relational status of "mug."  My alternative, not quite as wyrd as yours (maybe more geeky), sounded like an American Indian phrasing:  "The mugging one blues" or, probably better, "the mugly one blues."

Bryant: "By the same token, however, we only ever encounter substances in and through their local manifestations as worldly testament to a ghostly and subterranean substantiality that forever slips between our fingers."

"Substances are negentropic unities whose identity consists in their operations through which they produce themselves across time. As such, they evolve, change, and mutate in all sorts of ways. The terms 'substance', 'process', and 'dynamic systems' are all synonyms within the framework of my onticology."


Am I wrong that a mug is not a negentropic unity?  By this definition, it seems that an autopoietic system would be a 'substance,' but not an artifact like a mug.

Good point. He goes into the difference between auto- and allopoetic machines, which differ in ways yet are the same in some ways. I'm not yet clear on the differences but the mug is obviously (seemingly, anyway) allopoetic, yet has 'substance' nonetheless. Not sure yet on how he answers your question.

Hi Balder,


At this point, I still struggle with -- and find hard to accept -- the idea that something like a blue mug has an essential/substantial mugness wholly independent of all relationships.  For instance, 'mug' is a conventional designation -- and an instrumental one.  It doesn't make sense to me to speak of there being a special, unique (if ever-elusive) mug-substance.  To call it 'mug,' to me, is already to define the object relationally.  


The idea that a noun like “mug” is an arbitrary designation for what we now call a suobject, rather than a word that literally names a metaphysically real substance/essence, is known in traditional ontology as nominalism.  So be careful, you’re straying awfully close to the edge of the philosophical metaphysics abyss!


Incidentally, one version of nominalism that I favour is called “bundle theory”.  This says that the property/predicates of an object do not literally inhere in the subject-as-substance, as traditional English grammar suggests (e.g. “the mug is blue”).  Instead, there are only properties (phenomenal qualities) that cluster together, and we give that particular bundle of properties a name.  Then people like Plato and Aristotle come along, and reify those labels into essences or substances.  That is to say, they take suobjects as mere objects.


And I agree, we have no empirical evidence (in the broadest possible sense of empirical) for anything non-relational.  Even at the levels of fundamental science, properties of subatomic “things” require an interaction (a sort of simple relation) with other properties.  IMO, to suggest the existence of non-relational properties is only by degree different from claiming that there are invisible, ethereal (completely non-detectable) unicorns.


Whether fundamental properties themselves (e.g. the charge of a particle) can be considered "objects" in OOO... well, I don't know; I don''t know enough about the philosophy to say.  For what it's worth though, I'm sceptical about even positing an existing "dark side" to phenomena.  I guess I lean too much towards empiricism.

Bryant mostly accepts Varela's ideas about the difference between allo- and autopoietic objects, i.e., that the latter "produce their own elements and strive to maintain their organization over time" (4.3). The former are ‘produced,’ like a mug. But what they have in common is that they both have a boundary which distinguishes them from their environments. Therefore this boundary sets the parameters for an object's limited interface with its environment and thus defines it as such. Hence both undergo 'actualizations' in relationships with said environment yet both maintain their autonomy via their boundary and thus both have ‘substance’ in this way. It’s only when we view substance as some kind of metaphysical entity beyond the structural limitations imposed by said boundaries that it seems odd to say a mug has substance. Bryant is trying hard not to confuse that definition, as he seems to be doing a good job for me, at least, as I don’t see his object substance as the same or similar to “invisible, ethereal (completely non-detectable) unicorns.”

The non-metaphysical withdrawn aspect only seems to suggest that an object, including artifacts like a mug, can manifest or actualize in myriad ways depending on context, and that such manifestations are if not infinite then certainly quite various. He is only trying to account for such multiplicity of expression, trying to ascertain what ‘transcendental’ condition makes it possible that this is the case. Given that we cannot exhaust the possible contexts that might indeed change how a mug actualizes then perhaps there is an inexhaustible ‘substance’ to it that ever recedes from view during any particular manifestation? To support this he brings in Spencer-Brown’s ideas that when a distinction is created, like an object’s boundaries, there is always an unmarked and unknowable space. This seems to apply not to just what is outside the boundary but to its inside core (see khorons). He also brings in Derrida’s interation, above, showing how even an artifact like a sign (word) has multiple meanings depending on context, yet retains autonomy in that it isn’t equivalent to any other word. It retains its ‘substance’ but yet such substance is not something that ever completely enters into presence, always retaining a hidden aspect or unmarked space that remains open via a potential to manifest in as yet unknown contexts.

Or something like that?

Check out the Archive Fire report on the recent SR conference in NY featuring Bryant, Harman and Bennett.
Also consider that 'active matter' in most cases is allopoietic, yet has inherent 'powers' of substance as explored on p. 11 of this thread. I'm also reminded of the kennilingus categories of sentient and insentient holons, and Edwards' critique thereof.

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